How To Become A Makeup Artist In The 1800s Makeup Was Thought To Be Vulgar

Women's Victorian makeup was a paradox. It was considered inappropriate for a lady to habiliment makeup – yet women found detached and covert ways to wear it. Makeup appeared to be non-real, only enough of homemade recipes and shop-bought cosmetics tell another story! Here's our look at women'southward Victorian makeup in U.k..

The Victorian Era

In British history, the Victorian era is when Victoria was the Queen of the United Kingdom of United kingdom and Ireland. She ruled from 1837 to 1901. Her reign of 63 years and seven months fabricated her the longest-serving monarch of Britain at the time.

The Victorian era was a time of change, discovery and advocacy. Political movements, technological inventions, and scientific breakthroughs were the marking of the Victorian age. At that place was also a great desire to reform and ameliorate social problems. This bulldoze to make life better for the masses lead to better working conditions, sanitation and education.

The Victorian era is also well-known for its moralistic approach to life. Queen Victoria was the very model of strict morals and conduct – and British society, on the whole, lived past this ideal.

Influences on Women's Victorian Makeup

Queen Victoria

The Queen had dignity, decorum and a strict code of acquit. She declared that makeup was boorish – and this set the tone for the Victorian era. Simply actresses and ladies of depression morals would wear obvious makeup.

Despite her disdain for makeup, Victoria's daily routine involved washing, skincare and dental hygiene. Cleanliness was perfectly acceptable, if non desirable, in Victorian gild. Poor hygiene and disease were now linked, and then using lather and being clean was encouraged. After all, a good Victorian was make clean of body and heed.

Society's Mental attitude

Victorian Britain was almost conformity, etiquette and following the rules of society. To be function of polite society was not to stand out only to blend in and be the same every bit anybody else.

The privileges and rights of Victorian women were limited. Attitudes towards makeup (particularly from men) were notably negative during the Victorian era. Wearing information technology was non the washed affair – information technology was not part of a woman's pure and angelic image. It was quite the paradox. A woman had to be naturally beautiful but not allowed to utilize anything to enhance that dazzler.

Makeup was also considered deceptive and fraudulent. Additionally, it was linked to illness and criminal activity, like prostitution. Only someone of low morals would openly use makeup.

To be seen wearing or fifty-fifty buying makeup would tarnish one'due south reputation. Additionally, the gossip fallout would exist hard to come dorsum from. All the same, for all the risks, women did apply makeup. They just had to use it carefully and covertly.

Attitudes started to change towards the end of the Victorian era. For example, fashion was changing from restrictive habiliment to items assuasive more freedom of movement. Additionally, feminists were continuing upwardly and making their marking.

The attitude towards makeup was slowly changing alongside this. It was becoming more acceptable for a lady to own and use lip salve, powder and rouge.

Magazines & Advertising

A dvancements in paper production and press engineering science led to a dramatic increment in printed publications. In addition, the development of the railways meant that distribution was easier. Information technology enabled Victorians of all social classes to enjoy a wealth of monthly magazines and papers.

Literacy was also increasing. Therefore, more women could cover the articles on manner, wellness and leisure pursuits. Articles often suggested that a lady should never let herself go. Beauty was the marking of skillful grapheme and a woman's duty was to find – and keep – a married man.

Advertising started with the advent of mass consumerism in the Georgian era. At present, publications had more than advertisements, including those for cosmetic products. Makeup advertisements were often cunningly disguised equally wellness aids or supplements. Information technology was brazen, considering the overall negative attitude towards makeup.

A wealth of publications meant that corrective companies could now market themselves to a bigger audience. Information technology led to brands becoming household names, like Pears and Rimmel.

Developments in Science & Engineering science

Mass production became possible due to farther developments in technology. Factories could churn out products like soap by the dozens. It also spurred the production of corrective products. And Victorian ladies could purchase items through post order or at the local chemists.

This rise in easy production leads to a fall in costs, meaning that many corrective items were affordable and accessible.

Actresses

Guild considered actresses to be women of loose morals and akin to prostitutes. They used the deception of makeup and their sexual power, rather than talent, to get ahead. Of course, actresses wore makeup as role of their phase work and for publicity photographs. It was only part of the job.

They had too chosen a career, income and self-sufficiency over devoting their fourth dimension to existence a homemaker. An extra also worked at night in public places – farther "testify" that linked them to prostitutes.

Despite this, going to the theatre was a popular pastime and actresses had a fan base of operations. They were oftentimes the subject of media and public interest, specially if information technology involved a scandal. However, they had lilliputian influence on makeup for much of the Victorian period.

Information technology slowly started to change towards the finish of the era.For example, French actress Sarah Bernhardt was a global awareness who routinely wore makeup in public. She acquired a massive scandal when applying red lip rouge in public. While many were appalled, events like this turned the tide towards makeup beingness more accustomed. In the end, even respectable women wanted to mimic their favourite actresses.

The Victorian Dazzler Ideal

The dazzler ideal for Victorian women was the same every bit in previous generations – namely, a bright and smooth complexion, untanned skin without blemish, and a natural rosy glow.

A good form – an upright posture and feminine shape – was as well considered beautiful. It, in some ways, made up for someone thought to be lacking in looks.

Victorians had a passion for physiognomy – the practise of assessing a person'southward character past their outward advent, especially the confront. Therefore, the beauty ideal ofttimes vicious into line with this fashion of thinking. Brows, lips, cheeks and optics all had desired colours and shapes, representing the best personality traits.

Victorian Makeup Elements

Complexion

The clarity of the complexion was 1 of the most important aspects of a Victorian adult female'south beauty. It was considered to exist a representation of her temperament, lifestyle and country of listen.

To take skin that was complimentary from blemishes, a tan, freckles or whatever other such things was the most beautiful. Such was Victorian thinking, whatever marking or blemish on the skin was likely down to the woman's ill-temperament, living to backlog or some sinful criminality.

Luckily, in that location were lots of products on the market to keep the skin cleansed and moisturised, as well equally tackle a whole variety of skin issues. Some products were harmless; notwithstanding, others contained harmful ingredients such as arsenic or mercury.

Cold cream was the biggest peel product of the Victoria period, as information technology had been for generations before. It was easily fabricated at home from oil, water and wax. The mixture created a rich emollient that helped to cleanse, nourish and protect the pare.

Flower essences were used to cleanse and wash the skin. In item, rose-water and elderflower-water were pop washes.

Powder

Using pulverization very discretely was acceptable to Victorian women. Even Queen Victoria used a trivial pulverization after her skincare regime. However, it had to exist subtle and non detectable to anyone's eye – especially a man'southward. As well much pulverisation was subject to every bit much criticism as as well much rouge or lip colour.

Powders were made from various pulverized ingredients, including starch, oatmeal flour, zinc oxide, rice, French chalk and white clay. They could be left white or subtly tintedwith pink or violet pigments, used to counteract the xanthous lighting of the era.

One interesting side effect of using metallic substances (such as bismuth) in pulverisation was they turned an ashen grayness color on exposure to sulphurous gases. These gases were produced in the home by burning fossil fuels – for example, in a coal burn.

Powder was applied to the face, neck and arms with a puff (made from things like swan's-downwardly), chamois or rabbit'southward pes.

Rouge

Rouge was considered particularly vulgar by many. And it didn't matter whether a woman was immature or onetime – rouge was not to be applied.

Rouge came in three forms – liquid, cream and dry. Specialist products were available for actresses (and actors) who wore it for theatre productions.

Interestingly, beauty and housekeeping books ever had a recipe or two for making cream and liquid rouges at home. The authors oft emphasised that their recipes were "not hands detected on the pare" – perfect for the Victorian ethos.

Cerise was a pop red colourant in recipes. Additionally, at that place were countless non-cosmetic ways to stain the cheeks. For example, strawberry juice, beetroot juice or crushed geranium leaves. Blood-red crepe newspaper from the stationers could be dampened (every bit the color would bleed) and patted on the cheeks.

Eyebrows

Using whatever colour on the brows was non the done thing. However, there were exceptions to this dominion. For case, it was OK to add a little colour should a adult female take stake or patchy eyebrows.

Any application was, of course, to exist done in keeping with the natural brow shape. Also, the colour must complement the hair and complexion. In short, it had to be discrete and not noticeable.

All shapes and thicknesses of eyebrow seem to be acceptable. However, hair growing between the brows was non particularly admired, so it was OK to remove it.

According to etiquette books of the day, smoothly arched brows were considered to convey a cheerful and amiable disposition. Likewise, straight (or level) brows were thought to convey nothing sinister.

Eyelashes

It was idea that trimming the lashes would aid them grow back thicker and longer. A tiny pair of pair of scissors would do the chore.

There was no mascara – so if you are recreating a Victorian look, mascara is a big no! However, in that location were means to darken lashes. For instance, mixing burnt cloves or lamp-black (soot) with foam, oil, or ointment was a simple mode to darken lashes. Chloride of gold could also dye eyelashes (and brows) chocolate-brown.

To condition, a little castor oil or similar could be rubbed into the hair.

Lip Save

Lip salve was perfectly acceptable for dealing with chapped lips, which were considered unsightly. It was also piece of cake for a lady (or her maid) to make at home.

Wearing coloured lipstick was in the aforementioned campsite as rouge – it was non adequate in Victorian Britain. Being unacceptable meant women had to notice ingenious means to tint their lips. For instance, the innocent lip salve became a lip tint with the improver of carmine or some other red pigment.

There were besides non-cosmetic ways to add together tint to lips. For example, damp red crepe paper dabbed on the lips added a rosy hue.

Enamelling - The Painted Look

Quite controversially, in that location was a cosmetic procedure that a small minority of women chose to adopt. It was known as enamelling and became more prevalent in the late 1800s.

Enamelling involved applying a layer of white paste or cream to the face, neck and bust – similar to what the Georgians would have done. It was a stark dissimilarity to the discrete makeup chosen by the many.

White pigments such equally bismuth or zinc oxide were used to make the pigment. It could also comprise harmful ingredients similar arsenic or lead – a perennial favourite to create a bright white colour. However, no cosmetic regulations were in place to cease such ingredients from existence used.

Some women would also paint veins onto their pare using blue-coloured liquid and a fine brush. The aim was to make their skin look more than translucent.

Professional person Enamellers

Aprofessional enamellerwould remove all hair, dirt and imperfections from the client's face earlier smoothing on a layer of white paint. It filled creases and wrinkles to go out a smooth and youthful appearance – or then claimed! Later on this, rouge would be practical – even veins were painted on using blue-tinted products.

Information technology was claimed to last for days, fifty-fifty weeks – provided you were OK with not washing your face! Those confronting enamelling pointed out how it blocked the pores and looked very unnatural.

One infamous enameller wasMadame Rachel, who had female customers flocking to her salon in Bond Street (often past carriage under a veil) for various beauty treatments and procedures. Charging overly high prices, she made even bigger claims promising to make a woman "beautiful for ever".

Notwithstanding, it was all a con. Eventually, Rachel was arrested and imprisoned for blackmailing and swindling her clients.

Other Cultures

While Victorians found makeup improper, they did recognise that other countries and cultures used makeup according to their beauty ideals. For example, Victorians acknowledged that Turkish and Eastern women used dark pencils to line their eyes. And information technology was perfectly acceptable for them. However, a British woman must not copy this fashion by any means!

Lip colouring may accept hitting an all-time low in Britain, but it was not necessarily the example elsewhere. For example, red lips were pop with Chinese women, who happily rouged their lips and tongues with ruby. American women likewise wore lip products more openly. Information technology didn't take the same stigma there as in Britain.

Find Out More

Read more about the Victorian era (Wikipedia).
Read about Madame Rachel, Virginie Gautreau or Sarah Bernhardt (Wikipedia).
Significant women of the Victorian era (Wikipedia).

Sources:
Begy. J. A. (1889). Practical Hand-book of Toilet Preparations and Their Uses. Allison. New York.

Hartley. F. (1882). The Ladies' Book of Etiquette, and Manual of Politeness. Lee & Sheperd. New York.

Montez. L (1858). The Arts of Beauty, Or, Secrets of a Lady's Toilet With Hints to Gentlemen on the Art of Fascinating. Dick & Fitzgerald. New York.

Sozinskey. T. S. (1877). Personal Advent and the Culture of Beauty. Allen, Lane & Scott.

Sylvia (pseudonym). (1881). Sylvia'southward volume of the toilet: a ladies' guide to apparel and dazzler. Ward, Lock & Co. London.

Source: https://hair-and-makeup-artist.com/womens-victorian-makeup/

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